窑变釉兽耳石榴尊

窑变釉，顾名思义，是器物在烧成过程中出现了意想不到的釉色效果。由于窑中含有多种呈色元素，经氧化或还原作用，瓷器在出窑后可能呈现出意外的釉色效果。故称之为“窑变釉”，俗语有“窑变无双”，就是指窑变釉的变化莫测，独一无二。

Kiln glaze, as the name implies, is an unexpected glaze effect in the firing process. Because the kiln contains a variety of color elements, after oxidation or reduction, porcelain may show an unexpected glaze effect after exiting the kiln. Therefore, it is called "kiln glaze change". The saying is "kiln become unparalleled", which means that kiln glaze change is unpredictable and unique.

窑变早在唐代以前的青釉瓷器上即偶有出现。最初，窑中出现窑变曾被视为不祥，尤其是官窑中出现窑变，往往被砸碎。明代时，人们还是无法预测窑变的发生，因此窑变被认为是“怪胎”，统统销毁。清以前景德镇窑偶尔烧制出来的窑变釉瓷也是多被捣毁。

Kilns have occasionally appeared on blue-glazed porcelain before the Tang Dynasty. Initially, kiln changes in kilns were considered ominous, especially in official kilns, and they were often smashed. In the Ming Dynasty, people could not predict the occurrence of kiln changes, so the kiln changes were considered "freaks" and all destroyed. Before the Qing Dynasty, the kiln glazed porcelain occasionally fired by Jingdezhen Kiln was also destroyed.

随着人们对窑变釉认识的深入，窑变的缺陷美也逐渐得到人们的喜爱，窑火给釉面造成的缺陷，看久后反而让人回味无穷，甚至有了“娃娃面”、“美人记”之类的美称。窑变釉又因其形态极美，或如灿烂云霞，或如春花秋云，或如大海怒涛，或如万马奔腾，因而被视为艺术瓷釉为人们所欣赏。如宋代河南禹县钧窑生产的铜红窑变，可谓变化莫测，鬼斧神工。到了清代，尤其是清雍正、乾隆时期，窑变已被视为一种祥瑞，甚至作为著名色釉而专门生产。

With the deepening of people's understanding of kiln glazing, the defect beauty of kiln transformation has gradually been loved by people. The defects caused by kiln fire to glaze surface are memorable after a long time. There are even good names such as "doll face" and "beauty". Kiln glaze is regarded as art glaze for people to appreciate because of its extremely beautiful form, such as brilliant clouds, or such as spring flowers and autumn clouds, or such as the sea raging, or like a horse rushing. For example, in the Song Dynasty, the copper red kiln produced by Yan County, Henan Province, was changeable and unpredictable. In the Qing Dynasty, especially during the Qing Emperor Yongzheng and Qianlong periods, the kiln change has been regarded as a kind of auspicious, and even specialized production as a famous color glaze.

此藏品是明末清初的窑变釉兽耳石榴尊，通高12cm。口径6.6cm，底径7.7cm。其外卷的口部似张开的石榴果，特别是瓶形端庄优美，短颈，滑肩，圆鼓腹，圈足。器形隽秀典雅，浑圆稳重，新颖别致，独具一格。釉流淌，颜色变化任其自然，十分独特和奇妙，石榴是“多子多孙，榴开百子”之寓意，象征家族血脉之延续兴旺，具有极大的收藏投资价值。

This collection is a kiln reglazed beast ear pomegranate statue in the late Ming and early Qing dynasties, with a height of 12cm. Calibre 6.6 cm. Bottom diameter 7.7 cm. The mouth of its outer volume resembles an open pomegranate fruit, especially the bottle shape is dignified and beautiful, short neck, sliding shoulder, round belly, round foot. The device is elegant, round and stable, novel and unique, unique. Glaze flow, color changes are natural, very unique and wonderful, pomegranate is the meaning of "many sons and many grandchildren, durian open hundred sons", symbolizing the continuation of the family bloodline prosperity, with great collection investment value。